Piano – Degree Programme

A degree programme dedicated to the piano, designed to train complete musicians by combining instrumental practice with a solid humanistic education. Technique, stylistic sensitivity, and historical, aesthetic, and stylistic awareness form the core of a pathway that prepares pianists to face the complexity of professional musical life.

The career of a pianist — whether as a concert performer or chamber musician — is based on in-depth repertoire study, the development of a personal interpretation, and public performance. Solo and chamber concerts, accompaniment, masterclasses, recordings, and teaching are the activities that shape the professional life of a complete pianist. This university programme prepares students to approach all these dimensions with awareness, providing the technical, cultural, and professional tools necessary for their development.

From interpretation to phrasing, from dynamics to touch and pedal control, through to a full understanding of the conventions that characterise the major periods of musical history, the programme combines technical-musical skills with a humanistic education, enabling students to understand and give voice to music in all its depth.

  • Degree Programme: Three-Year Bachelor’s Degree in Performing Arts and Music Disciplines (L-3)
  • Degree Class: Disciplines of Visual Arts, Music, Performing Arts and Fashion (L-3)
  • General Discipline (SSD) L-ART/05 – Piano

The Piano programme offers a complete and multifaceted educational pathway, designed to meet the needs of an ever-evolving music industry. Through intensive instrumental training, concert performance experience, and a solid cultural foundation, the programme guides students in developing their artistic identity and building a professional career rich in opportunities.

  • Credits (ECTS): 180
  • Language: Italian/English

Educational Objectives and Learning Outcomes

Educational objectives: At the end of the three-year Piano programme, students are expected to have acquired solid technical and artistic skills (tone quality, touch, articulation, and pedal technique), with particular attention to the study of solo repertoire at elementary–intermediate level, ensemble repertoire, and the related performance practices. The programme aims to build strong foundations in technique, repertoire, sight-reading, solo performance, and basic chamber music, while providing preparation for further academic studies. Students will also develop auditory, memory, and analytical skills, together with knowledge of the compositional and organisational models of music. Particular importance is given to postural and emotional control, as well as to the acquisition of an in-depth historical, stylistic, and aesthetic understanding.

Career opportunities: Preparation for careers as soloists, ensemble musicians, collaborative pianists, teachers, professional musicians, or for continuation towards a Master’s Degree programme. The course may form an integral part of an academic pathway.

    1. Chamber Music Performer: Chamber music represents one of the richest and most stimulating fields for professional pianists. The programme provides students with the necessary skills to actively collaborate in duos (e.g. with string instruments, wind instruments, or singers), trios, quartets, and other chamber formations, developing listening abilities, stylistic flexibility, sound balance, and ensemble awareness. Interaction with other musicians becomes an opportunity for continuous artistic growth.
    2. Chamber Orchestra Performer: Students trained within this programme acquire the specific skills required to perform in chamber orchestras and ensembles (for example, in orchestral keyboard parts or continuo roles). Particular attention is given to sight-reading skills, following the conductor’s indications, and integrating effectively into the collective sound of the ensemble.
    3. Soloist and Performer in Symphony Orchestras: The programme provides preparation for the Master’s Degree, during which the technical and stylistic requirements of the major piano and orchestra repertoire will be further explored. The course systematically develops essential skills such as interaction with the orchestral ensemble, sound projection, rhythmic precision, and knowledge of the great symphonic-concertante masterpieces.
    4. Collaborative Pianist for Musical Theatre / Dance: In addition to solo repertoire, the programme prepares students to approach the world of musical theatre (opera and ballet). By providing the essential skills required to accompany singers and dancers or perform in orchestras, the course develops stylistic versatility, sight-reading abilities, and score reduction skills for voice and piano, enriching the musician’s profile with highly applicable professional competencies.

Expected learning outcomes:

  • Instrumental technical mastery: knowledge of the specific performance techniques of the Piano, aimed at achieving one’s personal artistic vision;
  • Repertoire knowledge: systematic study of the technique and the most representative solo and ensemble repertoire for the instrument, focusing on elementary and intermediate-level repertoire;
  • Chamber and orchestral skills: ability to interact effectively within different musical ensembles, developing ensemble awareness and collaborative skills;
  • Perceptive and memory development: enhancement of critical listening and repertoire memorisation skills;
  • Theoretical and analytical skills: acquisition of knowledge relating to compositional and analytical models in music and their interaction with performance practice;
  • Postural and emotional control: adoption of specific techniques for managing posture at the piano bench and emotional response during study and public performance;
  • Historical and aesthetic awareness: in-depth knowledge of the stylistic, historical, and aesthetic aspects of music, both from a general perspective and with specific reference to the instrumental field.

This document is subject to updates by the Professor responsible for the course.

YEAR I ECTS Lesson Hours Study Hours SSD TAF Attendance Delivery Mandatory
MODERN HISTORY 8 48 152 M-STO/02 BASIC MANDATORY SYNCHRONOUS YES
HISTORY OF MODERN ART 8 48 152 L-ART/02 CHARACTERISING MANDATORY SYNCHRONOUS YES
AESTHETICS I 6 36 114 M-FIL/04 CHARACTERISING MANDATORY SYNCHRONOUS YES
HISTORY OF MUSIC I 8 48 152 L-ART/07 MUSIC AND PERFORMING ARTS MANDATORY SYNCHRONOUS YES
SOLO PIANO PERFORMANCE PRACTICE I / PERFORMING ARTS DISCIPLINES 12 24 276 L-ART/05 MUSIC AND PERFORMING ARTS IN PERSON INDIVIDUAL
PIANO REPERTOIRE PRACTICE WITH/ORCHESTRAL REPERTOIRE I / PERFORMING ARTS DISCIPLINES 10 15 235 L-ART/05 MUSIC AND PERFORMING ARTS IN PERSON GROUP
EAR TRAINING / PERFORMING ARTS DISCIPLINES 8 32 168 L-ART/05 MUSIC AND PERFORMING ARTS MANDATORY WORKSHOP
TOTAL 60 251 1249

 

YEAR II ECTS Lesson Hours Study Hours SSD TAF Attendance Delivery Mandatory
ITALIAN LITERATURE 8 48 152 L-FIL-LET/10 BASIC MANDATORY SYNCHRONOUS YES
HISTORY OF CONTEMPORARY ART 8 48 152 L-ART/03 CHARACTERISING MANDATORY SYNCHRONOUS YES
AESTHETICS II 6 36 114 M-FIL/04 CHARACTERISING MANDATORY SYNCHRONOUS YES
HISTORY OF MUSIC II 8 48 152 L-ART/07 MUSIC AND PERFORMING ARTS MANDATORY SYNCHRONOUS YES
SOLO PIANO PERFORMANCE PRACTICE II / PERFORMING ARTS DISCIPLINES 12 24 276 L-ART/05 MUSIC AND PERFORMING ARTS IN PERSON INDIVIDUAL
PIANO REPERTOIRE PRACTICE WITH/ORCHESTRAL REPERTOIRE II / PERFORMING ARTS DISCIPLINES 10 15 235 L-ART/05 MUSIC AND PERFORMING ARTS IN PERSON GROUP
CHAMBER MUSIC PERFORMANCE PRACTICE I / PERFORMING ARTS DISCIPLINES 8 32 168 L-ART/05 MUSIC AND PERFORMING ARTS IN PERSON GROUP
TOTAL 60 251 1249

 

YEAR III ECTS Lesson Hours Study Hours SSD TAF Attendance Delivery Mandatory
SOCIOLOGY OF CULTURAL AND COMMUNICATION PROCESSES 8 48 152 SPS/08 BASIC MANDATORY SYNCHRONOUS YES
GENERAL SOCIOLOGY AND SOCIOLOGY OF MUSIC 8 48 152 SPS/07 CHARACTERISING MANDATORY SYNCHRONOUS YES
ENGLISH LANGUAGE AND TRANSLATION 6 36 114 L-LIN/12 CHARACTERISING MANDATORY SYNCHRONOUS YES
HISTORY AND COMPARATIVE ANALYSIS OF PIANO / CHAMBER MUSIC / LIED REPERTOIRE 8 48 152 L-ART/07 MUSIC AND PERFORMING ARTS MANDATORY SYNCHRONOUS YES
SOLO PIANO PERFORMANCE PRACTICE III / PERFORMING ARTS DISCIPLINES 6 9 141 L-ART/05 MUSIC AND PERFORMING ARTS IN PERSON INDIVIDUAL
PIANO REPERTOIRE PRACTICE WITH/ORCHESTRAL REPERTOIRE III / PERFORMING ARTS DISCIPLINES 12 24 276 L-ART/05 MUSIC AND PERFORMING ARTS IN PERSON GROUP
CHAMBER MUSIC PERFORMANCE PRACTICE II / PERFORMING ARTS DISCIPLINES 8 32 168 L-ART/05 MUSIC AND PERFORMING ARTS IN PERSON GROUP
FINAL EXAMINATION 4 100 YES
TOTAL 60 245 1255

Main Instrument Course Requirements

  • Prerequisites: an entrance audition is required, including an assessment of basic technique, talent, and potential; in some cases, a music theory test may also be required. Upper secondary school diploma or equivalent qualification.
  • General content (from the three-year study plan): includes scales/arpeggios, technical and concert studies, polyphonic, Classical, Romantic, and contemporary solo repertoire, sonatas, and piano concertos with orchestra.

Teaching Methods and Assessments

Teaching methods: Individual one-to-one lessons.

Assessment methods:

  • Practical examination (solo recital)
    • Main requirements: performance of at least two pieces by composers from different periods and styles (e.g. a polyphonic piece and a Classical Sonata), including a mandatory movement from a Sonata or Concerto and one or more pieces chosen from the Romantic/modern solo repertoire.
    • Duration: typically 30–40 minutes of actual music performance (based on standard three-year programme practice).

  • Oral examination
    • Main requirements: preparation and brief discussion of a written dissertation (thesis) on a topic agreed upon with a supervising Professor.

Main Instrument Course Requirements

  • Prerequisites: an entrance audition is required, including an assessment of basic technique, talent, and potential; in some cases, a music theory test may also be required. Upper secondary school diploma or equivalent qualification.
  • General content (from the three-year study plan): includes scales/arpeggios, technical and concert studies, polyphonic, Classical, Romantic, and contemporary solo repertoire, sonatas, and piano concertos with orchestra.

Teaching Methods and Assessments

Teaching methods: Individual one-to-one lessons.

Assessment methods:

  • Practical examination (solo recital)
    • Main requirements: performance of at least two pieces by composers from different periods and styles (e.g. a polyphonic piece and a Classical Sonata), including a mandatory movement from a Sonata or Concerto and one or more pieces chosen from the Romantic/modern solo repertoire.
    • Duration: typically 30–40 minutes of actual music performance (based on standard three-year programme practice).

  • Oral examination
    • Main requirements: preparation and brief discussion of a written dissertation (thesis) on a topic agreed upon with a supervising Professor.

Main Instrument Course Requirements

  • Prerequisites: an entrance audition is required, including an assessment of basic technique, talent, and potential; in some cases, a music theory test may also be required. Upper secondary school diploma or equivalent qualification.
  • General content (from the three-year study plan): includes scales/arpeggios, technical and concert studies, polyphonic, Classical, Romantic, and contemporary solo repertoire, sonatas, and piano concertos with orchestra.

Teaching Methods and Assessments

Teaching methods: Individual one-to-one lessons.

Assessment methods:

  • Practical examination (solo recital)
    • Main requirements: performance of at least two pieces by composers from different periods and styles (e.g. a polyphonic piece and a Classical Sonata), including a mandatory movement from a Sonata or Concerto and one or more pieces chosen from the Romantic/modern solo repertoire.
    • Duration: typically 30–40 minutes of actual music performance (based on standard three-year programme practice).

  • Oral examination
    • Main requirements: preparation and brief discussion of a written dissertation (thesis) on a topic agreed upon with a supervising Professor.

 

(The reference texts will be agreed upon between the Professor and the student according to individual educational needs, with the aim of addressing specific weaknesses or strengthening the areas most relevant to the student’s personal development path.)

  • S. Bach: The Well-Tempered Clavier (Books I and II), English Suites, French Suites, or Partitas
  • Clementi: Gradus ad Parnassum / F. Chopin, F. Liszt, C. Debussy, S. Rachmaninoff: Études

 

  • J. S. Bach: Two significant pieces from the Bach repertoire, chosen by the candidate.
  • Two pieces in different styles and from different periods for piano, freely chosen by the candidate (excluding any other music by Bach).

 

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